Oscar Wilde in 1882, before he was sentenced to prison for “gross indecency…”

April 9, 2015  –  I saw the movie, The Imitation Game, last January.  It’s a “2014 historical thriller film about Britishmathematician, logician, cryptanalyst and pioneering computer scientist Alan Turing who was a key figure in cracking Nazi Germany‘s naval Enigma code which helped the Allies win the Second World War, only to later be criminally prosecuted for his homosexuality.”

I noted that this all this occurred in another country – England – and before the year 2003.  That’s when the U.S. Supreme Court issued Lawrence v. Texas, thus ending such sentences:

[T]he Court struck down the sodomy law in Texas and, by extension, invalidated sodomy laws in 13 other states, making same-sex sexual activity legal in every U.S. state and territory.  The Court overturned its previous ruling on the same issue in the 1986 case Bowers v. Hardwick…   The Court held that intimate consensual sexual conduct was part of the liberty protected by substantive due process under the 14th Amendment. (E.A.)

Which leads to the general rule that it pays to remember our past history.

That’s good advice even when – and perhaps especially when – that history isn’t all that glorious.  As Harry Truman once said, “The only thing new in the world is the history you don’t know.”  (See for example Harry Truman and his History Lessons.)

Which brings us back to Alan Turing and Oscar Wilde.

Wikipedia said this:  “The film’s closing titles tell of Turing’s suicide in 1954, the royal pardon granted to him in 2013, and how his [code-breaking] machine inspired the invention and design of modern computers.”  Turing’s suicide followed – and may well have been caused by – his court-ordered chemical castration.  (Turing had been given the “choice” of spending some two years in prison or taking the court-ordered drug treatment…)

Wilde on the other hand got two years of hard labor, without a choice of “castration.”  And when he tried to speak, his voice was drowned out by cries of “‘Shame’ in the courtroom.”

Wilde was imprisoned first in Pentonville Prison and then Wandsworth Prison in London.  Inmates followed a regimen of “hard labour, hard fare and a hard bed,” which wore very harshly on Wilde…   His health declined sharply, and in November he collapsed during chapel from illness and hunger…    He spent two months in the infirmary…   Richard B. Haldane, the Liberal MP and reformer, visited him and had him transferred in November to Reading Prison…  The transfer itself was the lowest point of his incarceration, as a crowd jeered and spat at him on the railway platform.

See Oscar Wilde – Wikipedia, the free encyclopedia.   Which brings up the popular notion that some of the world’s best writing has been done in prison.  See 12 Famous Writers Who Did Time | Robert Rotstein – Huffington Post, and 10 Great Works of Literature Written in Prison:

When we imagine the places where our favorite authors penned their greatest masterpieces, a jail cell usually doesn’t come to mind.  But, whether their writers were prisoners of war or victims of bigotry, the solitude and lack of distractions have produced many a great book.  From Oscar Wilde’s apologia on spiritual awakening to Thoreau’s thoughts on civil disobedience, we survey authors whose great mental escapes from incarceration resulted in some of their most insightful and profound works…

Whether that solitude and “lack of distraction” still applies in today’s prisons is a matter of debate.  But a more recent example does come to mind, Martin Luther King’s Letter from Birmingham Jail.  Written on April 16, 1963, this open letter defended the “strategy of nonviolent resistance to racism, arguing that people have a moral responsibility to break unjust laws.”  the letter “became an important text for the American civil rights movement of the early 1960s.”

That brings up the big difference between King’s letter and perhaps the best-known letter that Wilde wrote in prison.  Near the end of his sentence – between January and March 1897 – Wilde wrote a letter.  It was was sent from “Reading Gaol to Lord Alfred Douglas.”  The title of the letter was De Profundus, and it was based on the opening line – in Latin – of Psalm 130.

In English, Psalm 130 begins:  “Out of the depths I cry to you, O Lord!”  The Latin for “out of the depths” is De Profundus.  See De Profundis (letter) – Wikipedia, the free encyclopedia.

All of which marked a drastic change in Oscar Wilde, the person.

Throughout the 1880’s Wilde had been a popular London playwright.  He was noted for his epigrams – his “witty, ingenious or pointed sayings” – and a novel The Picture of Dorian Gray.  Then there were the plays, including a “masterpiece,” The Importance of Being Earnest.  Also:

He wrote Salome (1891) in French in Paris but it was refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage.  Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London…

But Wilde’s world came crashing down when he filed the ill-advised lawsuit that led to his own arrest, trial and conviction for gross indecency.  In brief, he went from the heights of fame and pleasure, literally to “the depths.”  And there, for whatever reason, he found a measure of serenity.  Wikipedia noted that in the long letter Wilde “discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure.”   Thereafter:

Upon his release he left immediately for France, never to return to Ireland or Britain.  There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.  He died destitute in Paris at the age of 46.

Incidentally, Wilde had to publish “Reading Gaol” under an assumed name:

The finished poem was published by Leonard Smithers in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3.  This ensured that Wilde’s name – by then notorious – did not appear on the poem’s front cover…   It was a commercial success, going through seven editions in less than two years…

So, in a few short years Oscar Wilde went from the highest acclaim to cries of “shame” in the courtroom.  When he was transferred to Reading Prison, a crowd gathered to jeer and spit at him.  During his exile in France he had to publish his last work under an assumed name.

And now he brings tourists to Dublin, the city of his birth…

Aside from his statue in Dublin’s Merrion Square, there’s also an Oscar Wilde Centre, at Trinity College in Dublin.  Which brings to mind what John Steinbeck wrote about another writer…

In his book Travels with Charley, Steinbeck wrote of wanting to see Sauk Centre, where Sinclair Lewis was born.  It was also the metaphoric setting of Lewis’ satirical novel, Main Street.

As Wikipedia noted, the novel was set in Gopher Prairie, “a town modeled on Sauk Centre.”  The heroine, Carol Milford, is a free-spirited liberal who disdains “the town’s physical ugliness and smug conservatism.”  The novel itself portrayed “petty back-stabbers and hypocrites in a small town.”  It mocked the prevalent desire to live in such “‘wholesome’ small towns,” with its “vicious realism and biting humor.”  Small wonder then that some “small-town residents resented their portrayal and the book was banned in Alexandria, Minnesota.”

Small wonder too that when Steinbeck met him in his later years, Lewis was shrunken, shriveled and constantly cold.  So he too took a voluntary exile – he died in Rome, of advanced alcoholism – prompted in part by the violent hatred his novel “aroused in the country of his nativity.” But now, as Steinbeck noted, “There’s a sign in Sauk Centre all right:  ‘Birthplace of Sinclair Lewis:’”

The only good writer was a dead writer.   Then he couldn’t surprise anyone any more, couldn’t hurt anyone any more….   I’ve heard he died alone.  And now he’s good for the town.  Brings in some tourists.  He’s a good writer now.

There’s probably some kind of lesson there, for writers and for bloggers.

The upper image is courtesy of Oscar Wilde – Wikipedia, the free encyclopedia, with the caption:  “Photograph taken in 1882 by Napoleon Sarony.”  The lower image comes from the same article, with the caption: “Statue of Oscar Wilde in Merrion Square, Dublin:”

[Merrion Square] is a Georgian garden square on the southside of Dublin [and is] considered one of the city’s finest surviving squares.  Three sides are lined with Georgian redbrick townhouses; the West side abuts the grounds of Leinster House (seat of the Oireachtas),Government Buildings, the Natural History Museum and the National Gallery. The central railed-off garden is now a public park.

The full reference to the movie-lead reference is Imitation Game – Wikipedia, the free encyclopedia.  The full reference to the Lawrence case is Lawrence v. Texas – Wikipedia, the free encyclopedia.  The full reference to Turing’s “rehabilitation” is Chemical castration – Wikipedia, the free encyclopedia.

Re: Steinbeck on Sinclair Lewis.  See Travels with Charley, Penguin Books (1980), pages 133-34.   See also Sinclair Lewis Biography – CliffsNotes:  “Although the reaction of Sauk Centre toward the book was at first unfavorable, there is no evidence that it was ever banned from the local library.”  And see Main Street (novel) – Wikipedia, the free encyclopedia.

You can see the original post on which this column was based at On Oscar Wilde and Psalm 130.

An example of “media frenzy” and vigilante justice – from the 19th-century…

The 2014 movie Gone Girl explores the modern-day phenomenon of media frenzies, and how such frenzies can be manipulated by those who are apparently being manipulated.   (As a metaphor for the movie, picture a shark-attack victim turning the tables on the sharks…)

Which brings up Harry Truman, who didn’t have much use for the reporters of his day and age:

“Newspapermen, and they’re all a bunch of lazy cusses, once one of them writes something, the others rewrite it and rewrite it, and they keep right on doing it without ever stopping to find out if the first fellow was telling the truth or not.”

Truman also told of plowing a field with a mule, and how that was the “most peaceful thing in the world.”  It was something that gave old-time farmers plenty of time for thought, and made them such good voters and citizens.

But there was a danger, Truman added.  He said “there’s some danger that you may, like the fella said, get kicked in the head by a mule and end up believing everything you read in the papers.”  As updated for today, that could read, “believing all the news you see on TV.”

Some 20 years later – after President Truman had vented his feelings about the press – a brash young “AFL” quarterback named Joe Namath said pretty much the same thing.

Shortly after Namath signed with the Jets – for a then-record salary of $427,000 – a wise-guy New York reporter asked what he had majored in, down at the University of Alabama.  “Basket-weaving?”   Joe answered, “No man, I majored in journalism.  It was easier.”

Then in 2014 came the movie Gone Girl.  It’s a film that expresses pretty much the same feelings about “media frenzies” as Harry Truman and Joe Namath, only more so.

*   *   *   *

I reviewed Gone Girl back in October, for another blog.  I started with Wikipedia, which said the film “examines dishonesty, the media, the economy’s effects on marriage, and appearances:”

On the day of his fifth wedding anniversary, Nick Dunne (Affleck) returns home to find that his wife Amy (Pike), is missing.  In the ensuing media frenzy, suspicions arise that Nick murdered her, and his awkward behavior is interpreted as characteristic of a sociopath.  (E.A.)

See Gone Girl (film) – Wikipedia.  In other words, the character Nick Dunne – played by Ben Affleck – ended up being tried in and by the media.  That media found him guilty, as so often happens these days.  But as it turned out, the process by which he was tried and convicted was “infected by the politicized, media-enabled ‘cult of victimhood.’”  (See the Rothman note below.)

As for the ending…  Like I noted above: “picture a shark-attack victim turning the tables on the sharks.”  And just as sharks have their feeding frenzies, so too do today’s reporters; tabloid, TV or otherwise.  As for the subtle difference between a media frenzy and a media circus, see Media Frenzy Global, a company that specializes in “frenzy manipulation:”

Whether you’re trying to pique interest, incite sales, stir the market, or fan the flames of controversy, one thing is certain – you need to cause a commotion.  Of course, you want to remain cool and composed in the midst of the excitement…   In other words, you want to harness the media frenzy…    We harness the media frenzy by controlling, managing and exploiting the media platforms…

All of which provides an interesting commentary on modern life…

Then too there’s the court of public opinion.   As an example, the Wikipedia article cited the media frenzy – or “circus“ – surrounding the Duke lacrosse case.  “It has been said that the prosecutor in the Duke lacrosse case attempted to try the case in the court of public opinion by making unsupported allegations to the media..

The article also noted that in “the Kobe Bryant sexual assault case, it was alleged that parties were using court pleadings as press releases.”

Which brings up the fact that there is a genuine cause for concern these days, as explored by the movie Gone Girl.   (And yes – in case I’m being too subtle – I am saying that such media frenzies and/or circuses are indeed a form of modern-day vigilantism…)

Which is being interpreted:  There’s a reason we have things like the Sixth Amendment.

That constitutional provision is supposed to guarantee that a person accused of a crime can only be convicted after a public trial “by an impartial jury … and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the assistance of counsel for his defense.”  See Bill of Rights Institute.

And by the way, these aren’t “new-fangled pointy-headed liberal” legal protections.  They go back to Bible times and the Apostle Paul and beyond.  And there’s a good reason for this Biblical protection:  In way too many cases “the crowd” – or today’s media – just gets it all wrong.

On the other hand, some people in that “crowd” might have their own agenda, hidden or otherwise.  (And they might even be using things like Media Frenzy Global, noted above.)

In Paul’s case, that came in the form of certain “rabble rousers,” starting at Acts 21:28.  Then in Acts 23:12, these same rabble-rousers wanted to take the law into their own hands.  (They didn’t trust “Roman justice.”)  There followed a dramatic midnight ride to Caesarea, where the authorities took Paul to save him from a potential lynching.  Finally came a trial before the Roman governor Festus, after the former governor Felix had passed the buck:

Festus discussed Paul’s case with the king.  He said: “There is a man here whom [former Roman governor] Felix left as a prisoner.  When I went to Jerusalem, the chief priests and the elders of the Jews brought charges against him and asked that he be condemned.   I told them that it is not the Roman custom to hand over anyone before they have faced their accusers and have had an opportunity to defend themselves against the charges.”

See Acts 25:14-16, emphasis added.  All of which is another way of saying Gone Girl is a thought-provoking movie well worth seeing.  That is, provided that you are in the mood to explore some deep and unsettling questions about “coupledom,” as well as the potential underlying suspicion that such being-a-couple “necessarily entails victimization.”

A still from Gone Girl.   (Note the “askew” angle…)

The upper image is courtesy of Vigilante – Wikipedia, the free encyclopedia, with the full caption, “A lynching carried out by the San Francisco Committee of Vigilance of 1856.”  The article added:

“Vigilante justice” is rationalized by the idea that adequate legal mechanisms for criminal punishment are either nonexistent or insufficient.  Vigilantes typically see the government as ineffective in enforcing the law; such individuals often claim to justify their actions as a fulfillment of the wishes of the community…   In a number of cases, vigilantism has involved targets with mistaken identities.

The lower image is courtesy of What “Gone Girl” Is Really About, a review in The New Yorker, dated October 8, by Joshua Rothman, which includes this telling tidbit:

[W]e’re fascinated with stories of victimhood – and … especially in tabloid, cable-news culture, we endow victims with specialness, sanctity, and celebrity.   “Gone Girl” asks whether genuine expressions of sympathy or solidarity with victims can ever happen without being infected by the politicized, media-enabled “cult of victimhood.”

Rothman’s review compared the movie with “what I heard” about the book version, and concluded that what’s best about the movie is that it “gets at what is unsettling about coupledom [i.e., marriage or “serious relationships”] : our suspicion that, in some fundamental sense, it necessarily entails victimization.”  See also Gone Girl (film) – Wikipedia, the free encyclopedia.  

As for the “askew”camera angle, that seems to symbolize the them of “media frenzy.”

The Harry Truman quote on reporters is courtesy of Plain Speaking[:]  An oral biography of Harry S. Truman, by Merle Miller, Berkley Publishing NY (1973), at page 251.   The “field-mule” quote is at page 258.

The Namath quote is courtesy of famous alabama football quotes – Angelfire.  See also Joe Namath – Wikipedia, the free encyclopedia, which noted that when Namath signed with the Jets, the NFL and AFL were separate leagues, engaged in a “bidding war” for college players.

Re:  “I reviewed Gone Girl back in October…”  See “Gone Girl” movie review and Media Frenzy.